Andreyna Ordaz

October 24, 2022
Now available : Nouvelles de danse n°84
The latest issue of Nouvelles de danse is now available! An issue like an invitation to play. Cards, apps, video games, dance in games is at the heart of this issue. Also in the summary, a point on the reform of the status of artist, recognized as an arts worker. With the participation of Florent […]

October 7, 2022
To go further on Trisha Brown
Biography : https://trishabrowncompany.org/trisha-brown/biography Trisha Brown’s obit in the New York Times (March 20, 2017): https://www.nytimes.com/2017/03/20/arts/dance/trisha-brown-dead-modern-dance-choreographer.html Here is an extract from the various resources available at the Contredanse Documentation Centre about Trisha Brown: Trisha Brown’s history: Sally Banes, Terpsichore in Sneakers. Post-modern dance, ed. Houghton Mifflin,1980. Et sa traduction française par Denise Luccioni, Chiron, 2002. Sally Banes et […]

September 15, 2022
PRESS RELEASE – Contredanse and La Bellone continue their cohabitation
At the beginning of the 22-23 season, it is with great pleasure that we announce the continuation of the cohabitation of La Bellone and Contredanse within la Maison du spectacle. The work of mediation in which our two associations have engaged in recent months has borne fruit. By proposing rearrangements within the house, by reexamining […]

April 24, 2022
Opening hours of the Documentation Center
The team is pleased to welcome you on Mondays and Thursdays from 1:00 pm to 4:30 pm and on Tuesdays from 10:00 am to 4:30 pm. See you soon !
Le coordinateur du dossier
N° 92 Janvier 2025
Contact, toucher. Être en contact ou sans contact. Maintenir des liens, renouer des liens. Prendre appui, être un appui. Faire équipe ensemble. Voilà quelques-unes des pensées qui nous ont traversés lorsque nous évoquions l’envie de célébrer dans ce journal les 50 ans du Contact Improvisation. Si le toucher est un contact, tout contact n’est pas toucher. Et si le toucher est une dimension du Contact Improvisation, il n’est pas la seule.
